Charles Monroe Bair arrived in Billings in 1883 with, as his biographer Lee Rostad later put it, fourteen cents and seven green apples. He was twenty-six years old, a young man out of Stark County, Ohio, the son of farmers William and Mary Ann Bair, and he had come west to work as a conductor on the Northern Pacific Railroad. He left Montana sixty years later as one of the wealthiest and most influential men in the state’s history, having built the largest individual sheep operation on the North American continent, made a fortune in the Klondike, pioneered oil development in Wyoming, and founded a banking institution that served the Northern Plains for generations. If his life traced an arc that seems almost too capacious to be believed, it was nonetheless the product of methodical accumulation rather than lucky accident. Bair was, above all else, a man who watched, waited, and positioned himself at the intersection of opportunity and capital. Montana rewarded him handsomely for it.
When the Northern Pacific drove its last spike at Gold Creek in September 1883, Montana Territory was on the threshold of transformation. The railroad opened the high plains to settlement, commerce, and exploitation at a scale that simply had not been possible before, and it drew men like Bair westward by the thousands. His job as a conductor placed him in an unusually advantageous position. Working the run between Billings and Helena, and later the Livingston to Gardiner line, Bair traversed the landscape of central Montana season after season. Rostad, whose biography Fourteen Cents and Seven Green Apples remains the definitive account of Bair’s life, noted that Bair used those years to survey the land from the cab of his train, filing away knowledge of drainage patterns, grass cover, and terrain that would prove commercially useful when he eventually turned to ranching (Rostad, Fourteen Cents).
In 1886, Bair returned east to Chicago to marry Mary Jacobs, a Michigan woman he had met while working on her father’s farm. They wed on Christmas Eve of that year and traveled to Helena, where Bair continued his railroad work for another several years. Their first daughter, Marguerite, was born in Helena on July 1, 1889. By 1891, Bair had seen enough from the windows of his train and had saved enough from his wages to make his move. He left the railroad and claimed 320 acres near Lavina, in Wheatland County, beginning in a modest way what would become a colossus of the wool trade (Billings Gazette, “The Charles M. Bair Family Legacy,” 2011).
The transition from conductor to sheep rancher was not instantaneous. By 1888, Bair had purchased the Lavina property outright and begun investing seriously in sheep. Two years later he added another 5,540 acres and expanded his flock. By 1893, the family had relocated to Billings, which would remain what Rostad called “his town” for the rest of his life. By 1895, according to Don Spritzer’s Roadside History of Montana, Bair was running as many as 40,000 sheep on his Billings-area holdings (Spritzer, Roadside History of Montana, Mountain Press Publishing, 1999).
What accelerated the operation from substantial to staggering was a lease on the Crow Indian Reservation in the area around Hardin. The Crow lands offered vast open grasslands that were well suited to sheep in sufficient numbers to transform a regional enterprise into a national one. It was through this commercial relationship that Bair became a close personal friend of Chief Plenty Coups, the last traditional chief of the Apsaalooke Crow Tribe, whose diplomatic acumen and foresight had enabled the Crow to retain more of their homeland than most Plains nations (Charles M. Bair Family Museum, “History,” bairfamilymuseum.org). Plenty Coups would later give Bair’s daughters a child’s beaded vest and a small toy tipi, gifts that remain among the centerpieces of the Bair Family Museum collection (Billings Gazette, “The Charles M. Bair Family Legacy,” 2011).
The lease arrangement was not without friction. Bair’s commercial presence on the reservation drew scrutiny from Collier’s Weekly, a national magazine that questioned both the terms he paid for the lease and the number of animals he ran on Crow land. The resulting attention produced a congressional inquiry, though an investigator ultimately found no legal wrongdoing (Bozeman Daily Chronicle, “More Sheep Dogs Than Most Men Had Sheep,” 2011). The episode illustrated a tension that ran through Bair’s career: he operated at the juncture of private enterprise and federal land policy in ways that were always within the law but that reflected the asymmetries of power defining the late-nineteenth and early-twentieth-century West.
In 1898, Bair made a decision that might have appeared reckless to an outside observer. He sold his entire flock and traveled north to the Klondike to participate in the gold rush then electrifying the continent. He went not as a prospector but as an entrepreneur. A friend had developed a ground-thawing machine that used hot water to penetrate the permafrost of the Yukon placer fields, enabling hydraulic mining on ground that would otherwise remain frozen and unworkable for most of the year. Bair acquired an interest in these machines and sold them to miners who desperately needed a more efficient alternative to the traditional method of building wood fires to soften frozen ground twelve to fourteen inches at a time, a slow and smoke-choked process that the National Park Service’s historical record of the gold rush describes as the prevailing technique before steam thawing emerged around 1897 and 1898 (Klondike Gold Rush National Historical Park administrative history, National Park Service, govinfo.gov).
Bair returned to Montana a millionaire. The speed and completeness of his Klondike success was characteristic. He had identified a mechanical solution to a practical problem, acquired rights in it at the right moment, and sold into a captive market of desperate men who would pay what the machines were worth. He then reinvested those earnings methodically, resuming sheep ranching with a substantially expanded financial base. He secured a new lease on the Crow Reservation and rebuilt his flock with the deliberate efficiency that would define the next phase of his career (Montana Cowboy Hall of Fame, “Charles M. Bair,” montanacowboyfame.org).
By 1910, Bair’s operation had reached a scale that commanded national attention. He was running approximately 300,000 head of sheep, a figure attested in multiple contemporary accounts and corroborated by the physical evidence of that year’s production: a trainload consignment of 1.5 million pounds of wool shipped to Jeremiah Williams and Company in Boston, Massachusetts. A 1925 photograph by Edward S. Curtis, the celebrated portraitist of Native American life who was himself working on the Crow Reservation during the same years Bair held his lease there, shows a confident, prosperous man who had traveled very far from the conductor’s cab of a Northern Pacific train (Charles M. Bair Family Museum, Bair Collection photograph records, Martinsdale, Montana).
The Bozeman Daily Chronicle, drawing on Rostad’s research, recorded a conversation that captures something of Bair’s character during this period. A Washington, D.C., lawyer who had recently purchased a farm in Virginia mentioned to Bair that he was raising 150 sheep. When the lawyer asked Bair how many sheep he owned, Bair reportedly replied that he had not counted lately, but that he had more sheep dogs than that (Bozeman Daily Chronicle, 2011). The anecdote may be apocryphal in its precision, but it is consistent with everything else known about Bair’s style: dry, direct, and quietly competitive.
The operation was managed from Billings and extended across lands that required the kind of logistical coordination more commonly associated with a railroad than a ranching enterprise. Wool shearing at the reservation pens at Kaiser was a production in itself, requiring hundreds of hands and drawing attention from curious outsiders including, on one notable occasion, the French ambassador and his wife, who were escorted by Edward Curtis himself. Bair arranged a reception in which some two hundred Crow men in full regalia descended on the visiting party’s automobiles, an event that apparently terrified the diplomat and his wife rather than impressing them as their host had hoped (Distinctly Montana, “The Bair Museum’s Elegant Expansion,” distinctlymontana.com).
The loss of his Crow Reservation lease pushed Bair to diversify further, and he acquired the John Grant Ranch near Martinsdale, on the Musselshell River, which became the family’s permanent Montana headquarters. The Crazy Mountains rose to the north and east. The country was wide, the grass reliable, and Bair continued ranching on a scale that remained extraordinary even after the reservation lease ended. But sheep were not enough for a man of his temperament and capital.
In 1916, following an oil strike at the Lost Soldier formation in Sweetwater County, Wyoming, Bair traveled south to stake a claim. His Bair Oil Company drilled a well 265 feet into the Frontier formation, discovering what would become one of Wyoming’s most productive petroleum fields. The town that grew around the operation was named Bairoil, and it remains on Wyoming maps to this day, a small community whose very name is a permanent footnote to Bair’s commercial reach (OnePetro, “Lost Soldier Tensleep CO2 Tertiary Project,” SPE-35191-MS, Society of Petroleum Engineers, 1996). The Wyoming oil venture was accompanied by parallel activity in Montana, where Bair served as a director and co-founder of Midland Bank in Billings, giving him influence over the capital flows that shaped commercial agriculture across the Northern Plains (Charles M. Bair Family Museum, “History,” bairfamilymuseum.org).
His political activity was equally substantial. Bair was a significant figure in the Montana Republican Party during the first decades of the twentieth century, cultivating relationships with sitting executives. The family’s collection of autographed photographs of US Presidents — spanning from both Roosevelts, Coolidge, and Hoover during Charlie's lifetime, through to Truman, Kennedy, and Johnson collected later by his daughters — was not the product of mere celebrity-seeking. Bair made a point, as museum director Sandy Solberg told the Helena Independent Record, of meeting presidents because of the large acreage of federal land he leased for his livestock operation. Access to executive policy was a practical business matter (Helena Independent Record, “Beauty and the Bairs,” helenair.com).
The agricultural crisis of the 1920s and 1930s devastated the homesteaders of central Montana’s benchlands and valleys. Men and women who had broken sod in the optimistic years before the First World War found themselves unable to survive the combination of drought, falling commodity prices, and crushing debt that defined Montana’s interwar decades. Bair, whose capital base was by now substantial enough to weather catastrophe, moved through the wreckage differently. He bought out failed homesteaders as they left, expanding his Martinsdale holdings piece by piece until the ranch encompassed a significant portion of the Musselshell drainage. It was a process of accumulation common to large operators of the period, and it consolidated rural land into fewer and fewer hands, but it also ensured that the land remained in productive agricultural use rather than reverting entirely to scrub (Montana Cowboy Hall of Fame, “Charles M. Bair,” 2008).
In 1910, Charles and Mary Bair purchased a home in Portland, Oregon, where the family lived for the better part of two decades, with Bair commuting regularly between the city and his Montana and Wyoming operations. The arrangement was partly practical — the Oregon coast offered a more temperate climate — and partly social. Bair wanted his daughters to have educational and cultural opportunities that life on the high plains of Montana could not easily provide. Marguerite attended the Cincinnati Music Conservatory. Alberta later completed a finishing school program in Bryn Mawr, Pennsylvania.
The family spent winters in Los Angeles, where Bair’s friendship with Charles M. Russell and Joseph Henry Sharp had developed into one of the more consequential artistic patronages in Montana history. Bair began collecting Russell’s work early in the century, and Sharp, who had first come to the Crow Reservation in 1899 drawn by the proximity to the Little Bighorn battlefield, became both a friend and a recurring artistic chronicler of Bair’s world (Distinctly Montana, “Bair Family Collection of Western Art,” distinctlymontana.com).
In 1934, Mary Bair expressed her desire to return to Montana permanently, and the family reunited at the Martinsdale ranch in time to celebrate the couple’s fiftieth wedding anniversary. Charlie Bair lived out his remaining years on the ranch, dying in 1943 at the age of eighty-five. His funeral in Billings drew fifty honorary pallbearers, a number that testified to the density of his professional and political connections (Bozeman Daily Chronicle, 2011). Mary Bair died in 1952.
What followed in the hands of his daughters Marguerite and Alberta was, in its own way, as remarkable as what Bair himself had built. The two women remained on the Martinsdale property, traveling to Europe repeatedly from the 1950s onward to acquire art, silver, furniture, and decorative objects of quality and range that no one might reasonably have expected to find in a ranch house at the base of the Crazy Mountains. They added rooms until the house encompassed eleven thousand square feet and twenty-six rooms. Silver by the English goldsmith Paul Storr, paintings by the French artist Edouard Cortes, George III furniture, Persian carpets, and works by Charles Russell and Joseph Henry Sharp accumulated in the rooms of a house that one museum conservator, upon discovering a pair of Sevres urns, reportedly declared had been the subject of considerable wondering in the museum world (Helena Independent Record, “Beauty and the Bairs,” 2023).
Marguerite died in 1976 and Alberta in 1993. Before their deaths, the sisters established charitable trusts that have directed millions of dollars toward cultural and educational institutions across Montana. A fund created by Marguerite’s estate provides full-ride college scholarships to graduates of Meagher and Wheatland Counties. The Alberta Bair Theater in Billings, named in her honor in 1987, occupies the site of the family’s original downtown Billings home. The Bair Family Museum at Martinsdale, which the sisters envisioned and planned through the 1960s, preserves both the physical collection and the story of a family whose arc from a conductor’s wage to continental-scale enterprise to philanthropic endowment represents one of the more complete and consequential lives in the history of Montana.
Charles Bair was, by any measure, a man of his time and his place. He benefited from the dispossession of Indigenous peoples, operated on federal land under terms that drew congressional scrutiny, and accumulated property during the suffering of others. These facts belong to his record. But he also, unlike many of his contemporaries, stayed. He made his money in Montana, reinvested it in Montana, and left it to Montana. As Rostad wrote, that was a choice he made deliberately and maintained for sixty years. The Martinsdale ranch, the Martinsdale museum, and the scholarships sending students from Meagher and Wheatland Counties to college are what that choice looks like across time.
Bair Family Museum. “History.” Charles M. Bair Family Museum, www.bairfamilymuseum.org/about-us/history/.
Bozeman Daily Chronicle. “More Sheep Dogs Than Most Men Had Sheep.” Bozeman Daily Chronicle, www.bozemandailychronicle.com/100/newsmakers/more-sheep-dogs-than-most-men-had-sheep/article_3255c88a-6f51-11e0-be96-001cc4c002e0.html.
Charles M. Bair Family Museum. Bair Collection Photographic Records. Martinsdale, Montana. Photograph by Edward S. Curtis, 1925.
Distinctly Montana. “Bair Family Collection of Western Art.” Distinctly Montana, www.distinctlymontana.com/bair-family-collection-western-art.
Helena Independent Record. “Beauty and the Bairs: Museum a Study in Luxury.” Helena Independent Record, helenair.com/news/local/beauty-and-the-bairs-museum-a-study-in-luxury/article_ec52a799-5782-5486-b4df-911cfba7a72d.html.
Montana Cowboy Hall of Fame. “Charles M. Bair.” Montana Cowboy Hall of Fame, montanacowboyfame.org/inductees/2008/9/charles-m-bair.
National Park Service. Legacy of the Gold Rush: An Administrative History of Klondike Gold Rush National Historical Park. U.S. Government Publishing Office, www.govinfo.gov/content/pkg/GOVPUB-I29-PURL-gpo82373/pdf/GOVPUB-I29-PURL-gpo82373.pdf.
OnePetro. “Lost Soldier Tensleep CO2 Tertiary Project, Performance Case History; Bairoil, Wyoming.” SPE-35191-MS. Society of Petroleum Engineers, 1996, www.onepetro.org/conference-paper/SPE-35191-MS.
Rostad, Lee. Fourteen Cents and Seven Green Apples: The Life and Times of Charles Bair. Portage Meadows Publishing, 1993.
Spritzer, Don. Roadside History of Montana. Mountain Press Publishing, 1999.